That Floating Poo Was Far Too Meaningful! It's the Television Letdowns of the Past Year.

As we reflect on the television offerings of the past year, a handful of series emerge not for their brilliance, but for their notable shortcomings. From awkward spin-offs to confusingly poor documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final series started, it looked like it had at last found its groove. Then arrived an installment centered on Seema’s natural deodorant. No wonder the showrunner declared this would be the final season. It ended on a low point; the lingering shot of Miranda’s loo full of poo was just way too on-the-nose. Still, viewers undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this show's issues. The recipient of a exceedingly uncommon no-star review, it was difficult to know where to start enumerating the flaws. The laughably leaden writing? The mind-numbing veneration of affluence and materialism? The seemingly wilful parade of tropes? Performances so poor they felt borderline spiteful? Let’s just say “each and every one” and never speak of this series again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, domestic violence claims and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any pity this show might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge unconvincing accents. But there were plenty of other problems. Primarily that it was just really dull; a dispute over narcotics territory between various London rogues which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate statements. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a lifestyle catalogue animated; a poster for wine o’clock with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this documentary series chose not to explore them. Rather, the viewing was akin to reading a marketing brochure. She obviously has good reason to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right tone, lurching from oddly jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a breakthrough that could destabilise society? Nope! This international thriller about secret services targeting – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the content creator renowned for sexual exploits as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater examination of her true psychology, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Nicholas Petersen
Nicholas Petersen

A professional gaming analyst with over a decade of experience in online casino strategy and game mechanics.